A woman is a female human. The term woman is usually reserved for an adult, with the term girl being the usual term for a female child or adolescent. The term woman is also sometimes used to identify a female human, regardless of age, as in phrases such as "women's rights". "Woman" may also refer to a person's gender identity. Women with typical genetic development are usually capable of giving birth from puberty until menopause. In the context of gender identity, transgender people who are biologically determined to be male and identify as women cannot give birth. Some intersex people who identify as women cannot give birth due to either sterility or inheriting one or more Y chromosomes. In extremely rare cases, people who have Swyer syndrome can give birth with medical assistance. Throughout history women have assumed or been assigned various social roles.
The spelling of woman in English has progressed over the past millennium from wīfmann to wīmmann to wumman, and finally, the modern spelling woman. In Old English, wīfmann meant "female human", whereas wēr meant "male human". Mann or monn had a gender-neutral meaning of "human", corresponding to Modern English "person" or "someone"; however, subsequent to the Norman Conquest, man began to be used more in reference to "male human", and by the late 13th century had begun to eclipse usage of the older term wēr. The medial labial consonants f and m in wīfmann coalesced into the modern form "woman", while the initial element, which meant "female", underwent semantic narrowing to the sense of a married woman ("wife"). It is a popular misconception that the term "woman" is etymologically connected with "womb", which is from a separate Old English word, wambe meaning "stomach" (of male or female; modern German retains the colloquial term "Wampe" from Middle High German for "potbelly"). Nevertheless, such a false derivation of "woman" has appeared in print.
Woman (여 - Yeo) is a 1968 three-part South Korean film directed by Kim Ki-young, Jung Jin-woo and Yu Hyun-mok. The film was based on ideas of Kim Ki-young's wife, Kim Yu-bong, and Kim directed the last third.
The film is a melodrama about a man who falls in love with a woman while traveling to Seoraksan. The man becomes infatuated with the woman's hair. The woman, who has a terminal illness, promises to leave her hair to the man after she has died. Later the man finds that the woman has died, and her hair has been sold to someone else. He then has a romantic relationship with another woman who turns out to be his mother.
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"Woman (Sensuous Woman)" is a 1972 single by Don Gibson. "Woman (Sensuous Woman)" was Don Gibson's final number one on the country charts spending one week at the top and a total of sixteen weeks on the charts. Other artists released their versions of "Woman (Sensuous Woman)," including Ray Charles on his 1984 album "Do I Ever Cross Your Mind," and Mark Chesnutt, whose version under the title "Woman, Sensuous Woman" peaked at #21 in the Country Music charts.
Magy (マギー Magī, born Yūichi Kojima, 児島雄一 Kojima Yūichi, on May 12, 1973) is a Japanese actor.
The .44 Remington Magnum, or simply .44 Magnum (10.9×33mmR), and frequently .44 Mag, is a large-bore cartridge originally designed for revolvers. After its introduction, it was quickly adopted for carbines and rifles. Despite the ".44" designation, guns chambered for the .44 Magnum round, and its parent, the .44 Special, use 0.429 in (10.9 mm) diameter bullets.
The .44 Magnum is based on a lengthened .44 Special case, loaded to higher pressures for greater velocity (and thus, energy). The .44 Magnum has since been eclipsed in power by the .454 Casull, and most recently by the .460 S&W Magnum and .500 S&W Magnum, among others; nevertheless, it has remained one of the most popular commercial large-bore magnum cartridges. When loaded to its maximum and with heavy, deeply penetrating bullets, the .44 Magnum cartridge is suitable for short-range hunting of all North American game—though at the cost of much recoil and muzzle flash when fired in handguns. In carbines and rifles, these problems do not arise.
The MAG-7 is a pump-action shotgun manufactured by Techno Arms PTY of South Africa since 1995.
The MAG-7 was developed as a close quarters combat (CQB) weapon, which would combine the aspects of a compact submachine gun and a pump-action shotgun.
For ease of reloading, a magazine system is ideal. With the traditional pump-action mechanism located under the barrel, there is no convenient forward location for a magazine. This leaves the bullpup layout or a pistol-like arrangement of placing the magazine within the pistol grip as possible locations. It was found that the standard 12-gauge shotgun shell at 70 mm was too long to comfortably hold in the desired pistol grip mounting.
However, it was also found that at the ranges being considered for this weapon, the standard shotgun shells had too much power. This led to the development of a shorter round, 60 mm long (2.36 inch as opposed to 2.75) with both the desired power and size. The use of the MAG-7 with these cartridges yields an effective range of 45 yards (41.1 m), although they have a proven lethality to 90 yards (82 m). The MAG-7 also has a detachable, top-folding sheet metal stock.
[MC Man]
Down for the brown
Yeah
[MC Man]
The definition of brown is a soldier like Emiliano Zapata
Pancho Villa, that's why I keep it real for my Raza
As I stand on my own two with my hand on my gun
Always down for my land cuz a real man would never run
Out of strength or out of potential
I'm always feeding my mental as I put it on the instrumental
Teaching my people right from wrong
Because Latinos are tired of the same old song
They can take away my gun but they can't take away my pain
Cuz when minorities menace it's time to do it again
They try and lock us all up cuz they're scared of the revolution
And then they try to blame us for drug distribution
We don't own no factories and we don't own no planes
California ain't the place that they grow cocaine
All my thoughts have been foc, yes my time has been spent
Now I really figured out who's the real immigrant
It ain't me, it's you the boys in blue
And the devil in that white European too
And no you know player hater that this land is brown
The home of the Aztec where the indian was found
I'm taking back what is mine like I said in the past
I'm always down for my gente and I ain't never scared to blast
From the end of the world back to East Oakland
MC Man and Lighter Shade got a real master plan
Like an Aztec warrior I'm putting it down
I'm letting all my homies know that I'm down for the brown
[Chorus: MC Man & DTTX]
We're putting it down for the brown from LA to the town
Cuz we're brown and proud and that's the way it's going down
We're putting it down for the brown from LA to the town
Cuz we're brown and proud and that's the way it's going down
We're putting it down for the brown from LA to the town
Cuz we're brown and proud and that's the way it's going down
We're putting it down for the brown from LA to the town
Cuz we're brown and proud and that's the way it's going down
[DTTX]
I'm keeping it real with my peeps in the streets
Representing for life and everyday of the week
So check it, it's from the IE to the Bay
Set up in Oaktown, in LA my gente back me all the way
Right, living life brown and proud for sure, one hundred percent straight
We're regulating from the gates
To flip the script something major
Spreading the word as I swerve and everywhere that I serve
To heat it up like the sun
From the Mid East to Aztlan I'm dedicated till I'm gone
It's got me caught up in the game
Just living my life in the body of the set you claim
See my get down is brown
We're putting it down when I come around
Check it